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ART >>> Découpe et pli par Abigail Reynolds

ABIGAIL REYNOLDS works with assemblage and collage, using printed pages found in books to construct her pieces. The use of glass and industrial material in her compositions are associated to images of utopias with idealised landscapes and architectures generating a poetry of illusion and allusion where the visual field is disrupted.

ABIGAIL REYNOLDS works with assemblage and collage, using printed pages found in books to construct her pieces. The use of glass and industrial material in her compositions are associated to images of utopias with idealised landscapes and architectures generating a poetry of illusion and allusion where the visual field is disrupted.

ABIGAIL REYNOLDS, THE UNIVERSAL NOW CENTERPOINT 2010: made from vintage bookplates, cut and folded.

Collider by Abigail Reynolds at AMBACH & RICE

ABIGAIL REYNOLDS, THE UNIVERSAL NOW CENTERPOINT 2010: made from vintage bookplates, cut and folded.


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Abigail Reynolds paper art - spliced photographs, collage, paper folding http://www.abigailreynolds.com/

Abigail Reynolds paper art - spliced photographs, collage, paper folding http://www.abigailreynolds.com/

Abigail Reynolds, The Universal Now: St. James Gate 1935 / 19912010Cut and folded vintage bookplates 16.13 x 13.63 in (Framed)41 x 34.5 cm© AMBACH &am

Collider by Abigail Reynolds at AMBACH & RICE

Abigail Reynolds, The Universal Now: St. James Gate 1935 / 19912010Cut and folded vintage bookplates 16.13 x 13.63 in (Framed)41 x 34.5 cm© AMBACH &am

Abigail Reynolds has used the collage technique to portray her ideas of a city evolving by placing a image representing the present/future on top of an image taken before. The use of the composition with the two photographs makes the more recent photo seem prominent. This is what conveys the idea of a city evolving

Abigail Reynolds has used the collage technique to portray her ideas of a city evolving by placing a image representing the present/future on top of an image taken before. The use of the composition with the two photographs makes the more recent photo seem prominent. This is what conveys the idea of a city evolving

ABIGAIL REYNOLDS, THE UNIVERSAL NOW CENTERPOINT 2010: made from vintage bookplates, cut and folded.

Collider by Abigail Reynolds at AMBACH & RICE

ABIGAIL REYNOLDS, THE UNIVERSAL NOW CENTERPOINT 2010: made from vintage bookplates, cut and folded.

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