bauhaus & international style -  motto: necessities not luxuries  no materials to swallow sound  promoting health and fitness  durable, cheap, and attractive  for average people at affordable prices  man, machine, and nature in a state of equilibrium   idealistic utopia

bauhaus & international style - motto: necessities not luxuries no materials to swallow sound promoting health and fitness durable, cheap, and attractive for average people at affordable prices man, machine, and nature in a state of equilibrium idealistic utopia

Futura – Originally designed in the 1920s and '30s, these unique faces were characterized by bold outline, streamlined forms, and a sense of stylized geometry. They feature a forceful, yet elegant look. Although most commonly known for its influence on architecture, advertising, interior design and fashion, Art Deco cast its spell of sleek modernity over typography with equal abandon. More: http://en.wikipedia.org/wiki/Futura_(typeface)

Futura – Originally designed in the 1920s and '30s, these unique faces were characterized by bold outline, streamlined forms, and a sense of stylized geometry. They feature a forceful, yet elegant look. Although most commonly known for its influence on architecture, advertising, interior design and fashion, Art Deco cast its spell of sleek modernity over typography with equal abandon. More: http://en.wikipedia.org/wiki/Futura_(typeface)

Vyeshch (The Voice) by Vladimir Mayakovsky - Designed by El Lissitzky, 1920

Vyeshch (The Voice) by Vladimir Mayakovsky - Designed by El Lissitzky, 1920


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Bauhaus - Art as life. Paul Smith - Glasgow graphic designer / illustrator, techno, hip-hop and jazz lover - Work featured in WLD/WLVS & The Skinny Magazine —@100thIdiot. His collaborations with Marinate Media includes mix covers for RIMAR, Sweater Beats, Ta-ku, Nefarious! and Freddie Joachim. He’s also responsible for the cover art for Chicago producer Bengfang’s upcoming EP Imperial Grade w/ Marinate.

Bauhaus - Art as life. Paul Smith - Glasgow graphic designer / illustrator, techno, hip-hop and jazz lover - Work featured in WLD/WLVS & The Skinny Magazine —@100thIdiot. His collaborations with Marinate Media includes mix covers for RIMAR, Sweater Beats, Ta-ku, Nefarious! and Freddie Joachim. He’s also responsible for the cover art for Chicago producer Bengfang’s upcoming EP Imperial Grade w/ Marinate.

Bauhaus Movement | Famous Design and Architecture  #Bauhaus #Design #Architecture

Bauhaus Movement | Famous Design and Architecture #Bauhaus #Design #Architecture

동작성이 있는 생물을 평면으로 해석한뒤, 그 윤곽에 맞게 기하도형을 투시선에 맞춰보자.

동작성이 있는 생물을 평면으로 해석한뒤, 그 윤곽에 맞게 기하도형을 투시선에 맞춰보자.

A Bauhaus foi uma das maiores e mais importantes expressões do que é chamado Modernismo no design e na arquitetura, sendo a primeira escola de design do mundo.

A Bauhaus foi uma das maiores e mais importantes expressões do que é chamado Modernismo no design e na arquitetura, sendo a primeira escola de design do mundo.

Herbert Bayer (1900-1985). Dirige l'imprimerie du Bauhaus de Dessau, celle-ci est liée à la réclame. La logique du texte à imprimer impose la mise en pages. L'aspect pratique l'emporte sur le côté esthétique. Bayer a une expérience pro du graphisme publicitaire, de l'efficacité visuelle, il préconise une typographie élémentaire à la manière des constructivistes.

Herbert Bayer (1900-1985). Dirige l'imprimerie du Bauhaus de Dessau, celle-ci est liée à la réclame. La logique du texte à imprimer impose la mise en pages. L'aspect pratique l'emporte sur le côté esthétique. Bayer a une expérience pro du graphisme publicitaire, de l'efficacité visuelle, il préconise une typographie élémentaire à la manière des constructivistes.

Bayer, Herbert -- The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime.

Bayer, Herbert -- The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime.

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