Lighting has been used all around to get a full face in the frame. The paper is stuck to his face which gives the image a deeper meaning as you are able to 'see more' of how people feel inside.

Can you read my face? Artists distort faces with magazine pictures to create bizarre expressions

Lighting has been used all around to get a full face in the frame. The paper is stuck to his face which gives the image a deeper meaning as you are able to 'see more' of how people feel inside.

Light used on front of face to make it pop out from the background.  A slow shutter speed has been used in order to get the movement of the hands.

Light used on front of face to make it pop out from the background. A slow shutter speed has been used in order to get the movement of the hands.

Manual focus has been used in order to blur the image while the light in the background is dark and colourful.  It adds a deeper meaning to the image as it is mysterious.

Manual focus has been used in order to blur the image while the light in the background is dark and colourful. It adds a deeper meaning to the image as it is mysterious.

Light is all around the model and words have been written onto the face to give it a deeper meaning.

Light is all around the model and words have been written onto the face to give it a deeper meaning.

A slow shutter speed has been used in order to get the trail of the man.  A flash most likely went off at first in order to capture him still.

A slow shutter speed has been used in order to get the trail of the man. A flash most likely went off at first in order to capture him still.

Light is used all around to make it seem open in the image.  The paper on the face makes it pop out of the image.

Light is used all around to make it seem open in the image. The paper on the face makes it pop out of the image.

The sign has been used in order to add meaning to the photograph as it makes it seem interesting.

The sign has been used in order to add meaning to the photograph as it makes it seem interesting.

A large amount of light has been allowed into the camera which has also caused a shallow depth of field.

A large amount of light has been allowed into the camera which has also caused a shallow depth of field.


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bill armstrong FIlm Noir 1430, 2011 | Chromogenic print | 20 x 24, 30 x 36, 40 x 48 inches

bill armstrong FIlm Noir 1430, 2011 | Chromogenic print | 20 x 24, 30 x 36, 40 x 48 inches

“I saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. " -Amy Tan (Gideon Rubin)

“I saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. " -Amy Tan (Gideon Rubin)

Bill Armstrong Untitled (Film Noir #1418) Clamp Art

Bill Armstrong Untitled (Film Noir #1418) Clamp Art

Bill Armstrong, Untitled (Film Noir 1437).

Bill Armstrong, Untitled (Film Noir 1437).

© Bill Armstrong #AbstractPhotography

© Bill Armstrong #AbstractPhotography

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