ZwölfKv.H.Bf. — Rochade

ZwölfKv.H.Bf. — Rochade

I feel the use of continuous, overlayed typography is striking and bold. I think his work has always been so inspiring due to his ability to create images through type. Really beautiful and raw.

I feel the use of continuous, overlayed typography is striking and bold. I think his work has always been so inspiring due to his ability to create images through type. Really beautiful and raw.

Tree of Codes // Based on a piece of existing text – The Street of Crocodiles by Bruno Schulz - which has been edited by Foer to create an entirely new piece of fiction.

Tree of Codes // Based on a piece of existing text – The Street of Crocodiles by Bruno Schulz - which has been edited by Foer to create an entirely new piece of fiction.

Dictionary Story Print 2001 by Sam Winston

Dictionary Story Print 2001 by Sam Winston

legibility                                                                                                                                                                                 More

Inspiration for Creatives

legibility More

'Done' is a unique artists' book produced specifically for the 'we love your  books' 2009 exhibition entitled 'Closure', at Artworks, Milton Keynes.  This tissue paper book is based on an obsession with list-making. It  explores the typographic potential of the handwritten list and places it  within a new context.    Letterpress and silkscreen printed onto tissue paper.

'Done' is a unique artists' book produced specifically for the 'we love your books' 2009 exhibition entitled 'Closure', at Artworks, Milton Keynes. This tissue paper book is based on an obsession with list-making. It explores the typographic potential of the handwritten list and places it within a new context. Letterpress and silkscreen printed onto tissue paper.

LETTRE INTERNATIONALE NO. 20 Work done at Pleks 2010.

LETTRE INTERNATIONALE NO. 20 Work done at Pleks 2010.

Galante menu - A combination of luxury print finishes turned the Galante menus into covetable items in their own right. Tragos Magicos - cocktails circa 1935-1955.

Galante menu - A combination of luxury print finishes turned the Galante menus into covetable items in their own right. Tragos Magicos - cocktails circa 1935-1955.

layout party

layout party

realmoftangents: “Normal Type ”

Dark Side of Typography

realmoftangents: “Normal Type ”


More ideas
355_bourgoisbenjamin_référent_cour1_rythme La disposition des blocs de texte qui se superposent ou sont disposés en oblique crée du rythme.:

355_bourgoisbenjamin_référent_cour1_rythme La disposition des blocs de texte qui se superposent ou sont disposés en oblique crée du rythme.:

(via S T E F A N . T H O R S T E I N S S O N)

(via S T E F A N . T H O R S T E I N S S O N)

16 January 2014

16 January 2014

Sam Winston : Dictionary Story book

Sam Winston : Dictionary Story book

Art Exhibitions,Type Design,Graphic Art,Jay,Graphic Design

Graphic Porn just awesome

Graphic Porn just awesome

Type by David Carson. i want this magazine

Type by David Carson. i want this magazine

realmoftangents: “Normal Type ”

Dark Side of Typography

realmoftangents: “Normal Type ”

Experimental Typography | visual communication. graphic design. typography. decorative type. decorative typography.

Experimental Typography | visual communication. graphic design. typography. decorative type. decorative typography.

Tree of Codes by Jonathan Safran Foer -- We’ve all heart of books as art object, but books as sculptural objects? As Foer’s London-based publisher Visual Editions explains it, ”Jonathan Safran Foer has taken his favorite book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story.”

10 Books to Restore Your Faith in Print

Tree of Codes by Jonathan Safran Foer -- We’ve all heart of books as art object, but books as sculptural objects? As Foer’s London-based publisher Visual Editions explains it, ”Jonathan Safran Foer has taken his favorite book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story.”

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