Rachel Whiteread ~ Long Eyes "…revisits the subject of doors and begins a series of windows, using resin as her medium. She casts the front and back of each object and merges them to create an inverse of the original. The translucent nature of the resin imbues these pieces with a lightness which belies their mass, and Whiteread has chosen colors evocative of light in relation to the passage of time." ~ luhringaugustine.com

Rachel Whiteread ~ Long Eyes "…revisits the subject of doors and begins a series of windows, using resin as her medium. She casts the front and back of each object and merges them to create an inverse of the original. The translucent nature of the resin imbues these pieces with a lightness which belies their mass, and Whiteread has chosen colors evocative of light in relation to the passage of time." ~ luhringaugustine.com

Rachel Whiteread Embankment, 2005 14,000 polyethylene boxes installed in the Tate Modern hall.

Rachel Whiteread Embankment, 2005 14,000 polyethylene boxes installed in the Tate Modern hall.

One Hundred Spaces (1997)  One Hundred Spaces is a series of resin casts of the space underneath chairs.

Rachel Whiteread

One Hundred Spaces (1997) One Hundred Spaces is a series of resin casts of the space underneath chairs.


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Rachel Whiteread - casts of interior living spaces - giving emptiness a presence- concrete ghosts

Rachel Whiteread - casts of interior living spaces - giving emptiness a presence- concrete ghosts

One Hundred Spaces (1997)  One Hundred Spaces is a series of resin casts of the space underneath chairs.

Rachel Whiteread

One Hundred Spaces (1997) One Hundred Spaces is a series of resin casts of the space underneath chairs.

Stairs, 1995 /  Rachel Whiteread/Gagosian Gallery, London

Rachel Whiteread drawings at Tate Britain

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