Jim Dine, tools. This is my favorite drawing from Jim Dine because of the proportions that are used within the drawing itself. The proportions and shading makes the tools look realistic.
Jim Dine (b. 1935)
We Stand By Ourselves
Craig F. Starr Gallery | Jim Dine: Personal Allegiances: Hearts, Bathrobes, Palettes and Tools
Jim Dine 7, From Ten Winter Tools, 1973 A suite of ten lithographs 30 x 22 inches Signed and dated in pencil.
mhsartgallerymac - Jim Dine
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Jim Dine: Amazing Drawings
If you have never heard of Jim Dine I'm certain you are familiar with some of his most more famous prints. I contend that his drawings are some of the best in the world. He is a living legend in art. Take time and research his work and life. You won't be disappointed you did.
‘[no title]’, Jim Dine, 1973 | Tate
Artwork page for ‘[no title]’, Jim Dine, 1973 Dine believes that tools provide a 'link with our past, the human past, the hand'. They feature in many of his works, and can be seen as a symbol of artistic creation. There is also an autobiographical resonance, as Dine's family owned a hardware store in Cincinnati. In these prints, the tools are presented as a series of discrete items, as if laid out for analysis and classification.
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Craig F. Starr Gallery | Jim Dine: Personal Allegiances: Hearts, Bathrobes, Palettes and Tools
Jim Dine: Amazing Drawings
If you have never heard of Jim Dine I'm certain you are familiar with some of his most more famous prints. I contend that his drawings are some of the best in the world. He is a living legend in art. Take time and research his work and life. You won't be disappointed you did.
‘[no title]’, Jim Dine, 1973 | Tate
Artwork page for ‘[no title]’, Jim Dine, 1973 Dine believes that tools provide a 'link with our past, the human past, the hand'. They feature in many of his works, and can be seen as a symbol of artistic creation. There is also an autobiographical resonance, as Dine's family owned a hardware store in Cincinnati. In these prints, the tools are presented as a series of discrete items, as if laid out for analysis and classification.
Thunderstruck
Jim Dine (American, b. 1935), With Aldo Behind Me, 2008. Aquatint, etching, drypoint and mechanical abrasion on two sheets of paper. Image: 46.75 x 39 in. Overall: 52.5 x 43.75 in.
Cristea Roberts Gallery
Alan Cristea Gallery