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mark making

Collection by Danni Parry

Black Texture This is an example of mark making. The zig-zag pattern looks like it has been made of by a stamp. Textures Patterns, Print Patterns, Textile Prints, Textiles, Tinta China, Black Gold Jewelry, Fashion Design Drawings, Mark Making, White Art

Jacqui Stannard...

Fashion and Textile student & a collection of inspirational things...

how many ways can you draw a circle? Elements And Principles, Elements Of Art, Pattern Art, Pattern Design, Pattern Ideas, Textures Patterns, Print Patterns, Flower Patterns, Pebeo Porcelaine 150

Mark Making Artist is very controlled and instead of having a mean to the drawing it seems like it was to explore different type of mark and how it can feel depending on the technique

In this tutorial you will print fabric with ‘found objects’ and use your ‘prints’ to decorate a simple fold book. Requirements Small p. Textiles Techniques, Art Techniques, Sketching Techniques, A Level Textiles, Sketchbook Inspiration, Sketchbook Ideas, Design Inspiration, Tampons, Mark Making

Blog Hop Tut..

In this tutorial you will print fabric with ‘found objects’ and use your ‘prints’ to decorate a simple fold book. Requirements Small pieces of both black and white fabric. Found objects. Black and white acrylic paint. Sponge pieces. A padded surface, such as a plastic bag over newspaper; or wrap a towel round a piece of board and cover this with a sturdy plastic bag. Masking tape. An A4 piece of black card. Scissors. Foam dots or glue. A white gel pen. Ribbon or a small popper for the book…

Drawing Ideas Black And White Mark Making Ideas Abstract Drawings, Art Drawings, Drawing Designs, Grafik Art, White Art, Black And White, Inspiration Artistique, Art Graphique, Textile Texture



Painting by Jason Martin, See more texture inspirations at… Lisson Gallery, Art Abstrait, Wassily Kandinsky, Art Plastique, Installation Art, Textures Patterns, Contemporary Art, Art Photography, Abstract Art

Two solo show Lisson Gallery London

Jason Martin makes paintings about paint, its materiality, sculptural presence and transformative, alchemical nature. The titles 'Infinitive' invites contemplation and emphasises the inherent narrative of the work but the meaning is mutable. Along with his continued interest in material exploration, 'Association' illustrates Richard Deacon's fascination with the relationship of the individual component to the structural whole and new works in ceramic, aluminium and steel evidence this…