"Young Birches" etching by Chrissy Norman (inspired by the silver birches that stand outside Tate Modern.)

The distinctive bark of silver birches. This "Young Birches" etching is by Chrissy Norman and inspired by the silver birches that stand outside Tate Modern.

"Young Birches" etching by Chrissy Norman (inspired by the silver birches that stand outside Tate Modern.)

The distinctive bark of silver birches. This "Young Birches" etching is by Chrissy Norman and inspired by the silver birches that stand outside Tate Modern.

Gunnar Norrman, dry point, "Mörk revel" 1977.

Gunnar Norrman, dry point, "Mörk revel" A constant use of crosshatch used to create this dark to light effect

'Great Blasket Sound' aquatint by Norman Ackroyd RA (Edition of 40) Painting in a range of media, but most comfortable with etching, Norman is one of Britain's pioneering contemporary printmakers.

'Great Blasket Sound' aquatint by Norman Ackroyd RA (Edition of Painting in a range of media, but most comfortable with etching, Norman is one of Britain's pioneering contemporary printmakers. It could be Cape Horn on a good weather day

Catherine Macdonald, In between it all, drypoint on aluminium (250 x 370), from an edition of 10, 2012. NZ$450 incl GST framed; NZ$320 incl GST unframed.

Catherine Macdonald It was time drypoint on aluminium Dimensions (mm) 560 x 250 From an edition of 10 2012

Takahiko Hayashi ~ Considering Lao-tse (chapter 2), 2013 (etching, chine collé)

/ Considering Lao-tse (chapter 18 x copperplate print with chine collé ( etching) HAYASHI Takahiko 2013

Fred Wilson, Exchange

Exchange, by Fred Wilson. To make these prints, Wilson dripped acid onto copper plates to create what are, literally, ink spots in.


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