Massimo Uberti, Senza fine, neon and cables of nylon, 300 x 500 x 500 cm
Pergolesi 's La Serva Padrona from the Teatro Sá de Miranda, Portugal Production by William Oldroyd. Set design by Signe Beckmann.
Beautiful and ethereal spatial Installation by Faye Toogood/Studio Toogood
Hussein Chalayan's Gravity Fatigue, Sadler's Wells, review: At last, movement and a sense of theatre take the spotlight
That is a fantastic set. (I mean, if it were real, lol)
LES DAMNES - D' aprés Luchino VISCONTI, Nicola BADALUCCO et Enrico MEDIOLI - Mise en scène : Ivo VAN HOVE © Christophe Raynaud De Lage / Festival d'Avignon 2016 - Une critique de René Solis dans délibéré
Inspired by European Theater
Director Katie Mitchell with her company of performers and multimedia experts use the text of a novel as a starting point to create a multi-faceted multimedi.
Miss Julie. Katie Mitchell and Leo Warner / Alex Eales.
The Waves, Katie Mitchell cameras as props on stage at all times
A British adaptation turns “The Waves,” Woolf’s modernist novel, into a commensurate theater piece.
Katie Mitchell is an English theatre director and an associate of the National Theatre. In 2008 she directed 'Waves' and '.some trace of her', which incorp.
Die Gelbe Tapete (The Yellow Wallpaper), dir.
The Seagull, Katie Mitchell
Katie Mitchell’s new production of Chekhov’s classic is full of ominous shadows and refreshing shocks, writes Susannah Clapp
E-trailer for the National Theatre's production of Women of Troy. Katie Mitchell directs this radical interpretation of Euripides' great tragedy. An industri.
Fräulein Julie der Schaubühne Berlin
Katie Mitchell interview about directing Wastvater by Simon Stephens at the Royal Court SkyArts 2011
The reinvention of the script for 'Waves' and '.some trace of her' - NT
▶ FOOTFALLS / NEITHER | Interview with Katie Mitchell | Staatsoper Berlin
Staatsoper Berlin, "footfalls /Neither"
Documentary about Mitchell's version of Janacek opera "The Stepdaughter" for TV (on location)
Katie Mitchell talks about directing 'Pains of Youth' in a dynamic and highly political play.
AL GRAN SOLE CARICO D'AMORE Staatsoper Berlin
Written on Skin set -designer Vicki Mortimer, director Katie Mitchell
projection transformation of minimal/universal set