Ian Murphy - Architectural Studies in Sketchbook

Ian Murphy - Architectural Studies in Sketchbook I like the use of ink and drawing to create this piece and the annotations next to it

Ian Murphy depicts derelict buildings and often paints/draws on printed material which bleeds through

Ian Murphy depicts derelict buildings and often paints/draws on printed material which bleeds through. I like how Ian Murphy used pastel, contrasting colours to make his work eye-catching and unique.

Ian Murphy  This piece of work is very detailed as illustrated through the painting. You can see the colour depth in the painting.

reminds me of the work we did last year, layering paper and painting and then adding detail. Ian Murphy This piece of work is very detailed as illustrated through the painting. You can see the colour depth in the painting.

Ian Murphy Venice window drawing

Ian Murphy Venice window drawing Sometimes focuses around one part of a building where more detail can be incorporated

Scars of Life, Macau III » Ian Murphy Drawings

WHO: Ian Murphy Drawings WHAT: Scars of Life, Macau III WHY: I like the use of texture and tone to make the photo interesting. I also like the symmetry which creates a focal point

Ian Murphy Very textured work using ink. Lots of smudging. He uses text to create texture which has some sort of meaning to the image.

Ian Murphy Very textured work using ink. He uses text to create texture which has some sort of meaning to the image.

Ian Murphy Ian Murphy used some tone in certain ares to create depth. In most of Ian Murphy's work he uses  a lot of 3D proportions. I would like to try and use these techniques in my work.

WHO: Ian Murphy WHAT: Venetian Canal WHY: I like the use of mark making to add depth to the drawing. I also like the way the piece guides your eye into the vanishing point becasue of the leading lines.

Ian Murphy

Outbuildings - This graphite and charcoal drawing is quite interesting. It has some fine details in it and as well as textures which can only be created through the roughness and softer hatchings and the obvious light and dark.

Ian Murphy openings Still very realistic despite the use of very few dark colours. Lots of shading makes this possible.

Ian Murphy openings Still very realistic despite the use of very few dark colours. Lots of shading makes this possible.

Ian Murphy This is a sketch of one of the canals in Venice. I like how the pen has made quite a dark and vivid image. I also like how detailed the brick work is and how he creates the reflections.

Although this is an excellent sketch, I think a lighter pen weight for the water reflection would have created better contrast and not been as crowded and dark.

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