Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contem
how you can control Depth of Field. It shows the best Aperture for Portraits and the best Aperture for Landscape photos. It also looks at another key factor in controlling Depth of Field: Focusing Distance.: by bertha
There's something immediately and deeply disturbing about the masking of facial features-it's like it activities something primal-fight or flight-and takes more than usual time to realise it's someone with magazine pictures on their features.