These sketchbook pages are the unequivocal result of effort, passion and enthusiasm. Although 'decoration' is usually unnecessary within a textile or fashion design sketchbook, in this case, the background patterning demonstrates a complete understanding of the aesthetic; a strong personal response to the colours, shapes, textures, lines and forms of the work studied.

Textiles and Fashion Design Sketchbooks - 20 Inspirational Examples

These sketchbook pages are the unequivocal result of effort, passion and enthusiasm. Although 'decoration' is usually unnecessary within a textile or fashion design sketchbook, in this case, the background patterning demonstrates a complete understanding of the aesthetic; a strong personal response to the colours, shapes, textures, lines and forms of the work studied.

At its essence, a student sketchbook should emulate that of a practising artist. With photographs providing evidence of first-hand research, quick confident gestural drawings showing a response to this environment, and scrawled annotation, this beautiful sketchbook page – showing the development of ideas for a sculpture entitled ‘Stone Egg’ – does exactly that.

Sculpture and 3D Design Sketchbooks – 20 Creative examples

evidence of first-hand research, quick confident gestural drawings showing a response to this environment, and scrawled annotation, these sketchbook pages – showing the development of ideas for a sculpture entitled ‘Stone Egg’ – .

Biro Facial Features

It's really important to show annotate your work to explain how and why you are using techniques. Even if you don't like a drawing explain that in annotations and show how your improving your artwork

Eyes by Elena Tomas Bort, completed as part of Unit 3, Edexcel A Level Art at the Laude British School of Vila-real, Spain.

How to draw realistic eyes within a high school Art project

by Elena Tomas Bort, completed as part of Unit Edexcel A Level Art at the Laude British School of Vila-real, Spain.

Artist Research Page, Francoise Nielly | Flickr - Photo Sharing!

do that for jenny savile with page filled with fleshy tones and colours Artist Research Page, Francoise Nielly

I like this because the whole page has been filled and it really looks like a story book rather than a sketch book.

War: A Personal Connection (A Level Art)

Ruth Beeley: St George's School, Hertfordshire England Sketchbook page for A Level Art Coursework final artwork, exploring the theme of war. This page is the result of a visit to the National Gallery, where Ruth documented war art from a range of ti

Finding inspiration from traditional pop art techniques to compose a final structure for Marilyn Monroe. This is page allowed me to also look at different aspects within pop art and use combined colours to create a visual large-scale.

Don't let pages be filled with annotations, whilst they are extremely important to have to get good marks, this is still your ART book, drawings need to be present throughout

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