Abigail Reynolds paper art - spliced photographs, collage, paper folding http://www.abigailreynolds.com/

Abigail Reynolds paper art - spliced photographs, collage, paper folding www.

Cubism Photography Landscapes | Want to see more? Check out all of my projects on the portfolio page

Gillian Mowbray Knighton in Wales, inspired by David Hockney joiners I really think this large joiner composition works so well as its greatly built up with layers really developing depth to the picture

Antony Gormley- Angel of the North The Angel of the North is a contemporary sculpture, designed by Antony Gormley, which is located in Gateshead, Tyne and Wear, England. It is a steel sculpture of an angel, 20 metres tall, with wings measuring 54 metres across.

Antony Gormley-"Angel of the North" located in Gateshead, Tyne and Wear It is a steel sculpture of an angel, 20 metres tall, with wings measuring 54 metres across.

The Angel of the North by Anthony Gormley stands 20m high on the site of an old colliery in Gateshead, England, paying tribute to the industrial heritage of the North East, telegraph.co.uk North East England is the best place ever ;)

Public art

“Happy Birthday to British sculptor Anthony Gormley! We love his massive 'Angel of the North' in Gateshead, England”

Chrysler Original by Paul Kenton

Chrysler Original by Paul Kenton Westover Gallery Contact us now for more information 01202 297 682

Robert Smithson, Spiral Hill viewing Broken Circle © 2012 Estate of Robert Smithson / VG Bild-Kunst, Bonn / VAGA, New York / courtesy James Cohan Gallery, New York/Shanghai go up instead of down

Robert Smithson, Spiral Hill viewing Broken Circle © 2012 Estate of Robert Smithson / VG Bild-Kunst, Bonn / VAGA, New York / courtesy James Cohan Gallery, New York/Shanghai

Robert Smithson - Spiral Jetty - Great Salt Lake, Utah

Robert Smithson

David Maisel - Terminal Mirage 15 (Robert Smithson’s Spiral Jetty)

Henry Moore OM, CH ‘Stonehenge XI’, 1973 © The Henry Moore Foundation. All Rights Reserved

Henry Moore OM, CH ‘Stonehenge XI’, 1973 © The Henry Moore Foundation. All Rights Reserved

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