Architecture and interiors in C20th art

Eric Ravilious: “Bakers & Confectioners”. Original 1938 lithograph, full sheet 9 x 6 in. (23 x 15cm): First published in 1938, this classic book introduces the British high street, pairing the timeless illustrations of beloved artist Eric Ravilious with an engaging text by architectural historian J. M. Richards. Shops inc

Charles Mahoney: “Still Life with Landscape, late 1930's”. Titled on a label to the reverse Oil on board 14 1/4 x 21 3/8 in. (36 x 54.5 cm.): In its original Alfred Stiles and Sons, Ltd frame, black and gold D-section frame. Literature; True to Life, British Realist Painting in the 1920s & 1930s, Patrick Elliot & Sacha Llewellyn, July 2017, ISBN 978 1 911054 0

Nellie Joshua: “Heatherley's Art School, circa 1900”. Oil on canvas 24 x 18 in. (61 x 45.7 cm.): Exhibitited: The Edwardian Era, Barbican Art Gallery, (November 87-February 88), no 56. Literature: The Edwardian Era, Barbican Art Gallery, (November 87-February 88), p 40. Heatherley School of Art was founded in 1845 by

Robert Austin: “Siena Evening 1923”. Inscribed in pencil 1st State Pencil over a line engraving 4 1/2 x 4 1/4 in.(11.5 x 10.8 cm): Siena, Evening, was a line engraving published in 1923, (C.D 38), and is descirbed by Salaman in Modern Masters of Etching, ...the roofs of the happy-hearted city decoratively observed from the point of view of a lower-po

Rudolph Sauter: “After the raid”. Watercolour on paper19 ½ x 23 ½ in. (49.5 x 60 cm): Exhibited: WW2 - War Pictures by British Artists, Morley College London, 28 October -23 November 2016, cat 28. Literature: WW2 - War Pictures by British Artists, Edited by Sacha Llewellyn & Paul Liss, July 2016, cat 28,

Rudolph Ihlee: “My window, Collioure1925”. Signed and dated Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm.): Provenance: Private collection. Exhibited: Chenil Gallery, 1926; Graves Art Gallery, Sheffield, August - September, 1978, and Belgrave Gallery, London, October, 1978, Rudolph Ihlee, 1883-1968, cat. no. 19. In a broad gild

Winifred Knights: “ Leaving the Munitions Works, 1919”. Signed and datedWatercolour27 x 32cm : Exhibited: Journeys with The Waste Land, Turner Contemporary, Margate, 3 February-7 May 2018 When peace was declared ​the majority of ​munitions had to be decommissioned. In this picture although the work force is pr

Francis Spear: “Armchair, circa 1930”. Pencil and watercolour8 1/2 x 8 1/4 in. (21.5 x 20.9 cm):

Albert de Belleroche: “The Artist's Studio, La Vielle Chapelle, La Boissiere, Chateaudun, circa 1909”. Oil on canvas, 32 x 25 1/2 in. (81 x 65 cm): Provenance: from the collection of Count William de Belleroche, the artists son; thence by descent. La Boissiere was an inn near Chateaudun where Belleroche stayed when he painted in the countryside. Here he rented La V