Neckpiece | Helen Whitworth. Silk paper that she then dyed with batik combined with free standing embroidery elements

Neckpiece | Helen Whitworth. Silk paper that she then dyed with batik combined with free standing embroidery elements

Assembly Home Banana Leaf Tapestry - Great for adding greenery without too many house plants.

Banana Leaf Tapestry

Assembly Home Banana Leaf Tapestry - Great for adding greenery without too many house plants.

Rachel Wright - Waiting for Supper /An amazing textile art picture of an owl in a moonlit landscape, created by the wonderfully talented Rachel Wright. Created using free machine-embroidery.

Rachel Wright - Waiting for Supper /An amazing textile art picture of an owl in a moonlit landscape, created by the wonderfully talented Rachel Wright. Created using free machine-embroidery.

Healy & Burke Textile Art - Original Fine Art Felt Gallery

Healy & Burke Textile Art - Original Fine Art Felt Gallery

This is what i call the dream room☆ but my room would never ever look this perfect, instead it would be a scarf on the back wall and the map would be a map of america⭐︎ I know i seem adventurous but i don't think i would be up to spending a ridiculous price on things so i think I'm going to have to resort to a budget☇

This is what i call the dream room☆ but my room would never ever look this perfect, instead it would be a scarf on the back wall and the map would be a map of america⭐︎ I know i seem adventurous but i don't think i would be up to spending a ridiculous price on things so i think I'm going to have to resort to a budget☇

Jayne Hodgson, mixed media piece of windows window, suitable for an art project like the GCSE Openings

Jayne Hodgson, mixed media piece of windows window, suitable for an art project like the GCSE Openings

Textiles Techniques,Creative Textiles,Fashion Textiles,Studio Art,Fibre Art,Textile Art,Textiles Sketchbook,Texture Images,Mixed Media


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Abigail Reynolds, The Universal Now: St. James Gate 1935 / 19912010Cut and folded vintage bookplates 16.13 x 13.63 in (Framed)41 x 34.5 cm© AMBACH &am

Collider by Abigail Reynolds at AMBACH & RICE

Abigail Reynolds, The Universal Now: St. James Gate 1935 / 19912010Cut and folded vintage bookplates 16.13 x 13.63 in (Framed)41 x 34.5 cm© AMBACH &am

ABIGAIL REYNOLDS, THE UNIVERSAL NOW CENTERPOINT 2010: made from vintage bookplates, cut and folded.

Collider by Abigail Reynolds at AMBACH & RICE

ABIGAIL REYNOLDS, THE UNIVERSAL NOW CENTERPOINT 2010: made from vintage bookplates, cut and folded.

Abigail Reynolds paper art - spliced photographs, collage, paper folding http://www.abigailreynolds.com/

Abigail Reynolds paper art - spliced photographs, collage, paper folding http://www.abigailreynolds.com/

Sandra Meech - This piece is very good because the background is made of very random colours and patterns which makes the black outline of the building look very bold and stand out which the stitching also helps with.

Sandra Meech - This piece is very good because the background is made of very random colours and patterns which makes the black outline of the building look very bold and stand out which the stitching also helps with.

Abigail Reynolds has used the collage technique to portray her ideas of a city evolving by placing a image representing the present/future on top of an image taken before. The use of the composition with the two photographs makes the more recent photo seem prominent. This is what conveys the idea of a city evolving

Abigail Reynolds has used the collage technique to portray her ideas of a city evolving by placing a image representing the present/future on top of an image taken before. The use of the composition with the two photographs makes the more recent photo seem prominent. This is what conveys the idea of a city evolving

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