Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.

Fig Raoul Hausmann The Art Critic Lithograph and photographic collage on paper support: 318 x 254 mm Purchased ADAGP, Paris and DACS, London 2002

Raoul Hausmann

Simple+ : Juxtaposition in 3 layers- buildings, hands, eyes (Addition) Raoul Hausmann

Raoul Hausmann, Dada (Collage for the First International Dada Fair in Berlin), 1920

Self-portrait of the Dadasopher, collage-photomontage, 1920 by Raoul Hausmann (Austrian 1886 –

Raoul Hausmann, Dada (Collage for the First International Dada Fair in Berlin), 1920

Self-portrait of the Dadasopher, collage-photomontage, 1920 by Raoul Hausmann (Austrian 1886 –

Raoul Hausmann. Untitled. February 1931

archives-dada: Raoul Hausmann, Untitled, image: 5 × 4 × cm), MOMA, New York.

Dada and dadaism : Berlin  Raoul Haussmann

Raoul Hausmann Elasticum 1920 Photomontage and collage with gouache on the cover of Erste Internationale Dada-Messe 12 x 14 inches x 37 cm)

Raoul Hausmann

Raoul Hausmann, Mechanischer Kopf (Tête mécanique / Mechanical Head), Der Geist unserer Zeit, (L’esprit de notre temps / The Spirit of our time) , 1919

Bildinis Raoul Hausmann ( Portrait of Raoul Hausmann ), Conrad Felixmüller

Conrad Felixmuller, Bildinis Raoul Hausmann ( Portrait of Raoul Hausmann )

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