Lee Friedlander's mastery of mannequins
Yet in recent pictures under the title "Mannequin" at Fraenkel Gallery, he finds shop-window effigies still burning with peculiar visionary potential. Marshaling these factors, the mannequin series continues Friedlander's program - I doubt he would call it that - of slowing viewers' intake of pictures. In these series and in "Mannequin," Friedlander uses the camera's focal capacity, which differs from the eye's, to set perceptible phenomena in collision. In "New York City" (2011), a wigless…
Lee Friedlander, l’intime élucidé
Entre autoportraits et clichés familiaux, 120 tirages exposés à Bruxelles permettent de pénétrer dans le quotidien de l’artiste américain au fil des ans.