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Gustav Metzger, MASS MEDIA: Today and Yesterday, 1972–2014, installation view in the Centre of Contemporary Art Znaki Czasu, courtesy of the artist, Photo: Wojciech Olech

Gustav Metzger, MASS MEDIA: Today and Yesterday, installation view in the Centre of Contemporary Art Znaki Czasu, courtesy of the artist, Photo: Wojciech Olech

Takuji Kogo, NON-SITES, 2005-2014, Online Advertisement, 2012-2014, courtesy of the Artist

The Kurumaya Museum of Art Machiko Harada to curate “Mother/Land”, a contemporary art exhibition focused on the relationship between land and people.

Bertille Bak, The Tour of Babel, installation view, Le Grand Café Contemporary Art Centre

Bertille Bak, on show at the Grand Café in Saint-Nazaire, in a practice that poetically blends documentary and fiction, is developing a unique way of thinking about her contemporaries.

Hans Peter Feldmann, 9/12 Frontpage, 2001, installation view in the Centre of Contemporary Art Znaki Czasu, courtesy of the Sandretto Re Rebaudengo Collection, Torino. Photo: Wojciech Olech

Hans Peter Feldmann, Frontpage, installation view in the Centre of Contemporary Art Znaki Czasu, courtesy of the Sandretto Re Rebaudengo Collection, Torino.

Katharina Sieverding, Beuys' Arena, Rome, 31.10.1972, 1972–2014, installation view, Centre of Contemporary Art Znaki Czasu, courtesy the artist and VG Bild-Kunst. Photo: Wojciech Olech

Katharina Sieverding, Beuys' Arena, Rome, 31.10.1972, 1972–2014, installation view, Centre of Contemporary Art Znaki Czasu, courtesy the artist and VG Bild-Kunst. Photo: Wojciech Olech

Joseph Beuys, Willoughby Sharp Videoviews Joseph Beuys, 1973, installation view, Centre of Contemporary Art Znaki Czasu, courtesy Electronic Arts Intermix. Photo: Wojciech Olech

Joseph Beuys, Willoughby Sharp Videoviews Joseph Beuys, installation view, Centre of Contemporary Art Znaki Czasu, courtesy Electronic Arts Intermix.

Mediating between publics

Maurice Carlin’s latest project Performance Publishing is a site-specific piece exploring the space between print, place and performance by examining the artist’s process of making.

Roni Horn at Fundació Joan Miró. The title, Everything was sleeping as if the universe were a mistake, is taken from Fernando Pessoa’s Livro do desassossego,

Roni Horn at Fundació Joan Miró. The title, Everything was sleeping as if the universe were a mistake, is taken from Fernando Pessoa’s Livro do desassossego,

Roni Horn, “Everything was sleeping as if the universe were a mistake”, installation view, Fundació Joan Miró 2014

Roni Horn, “Everything was sleeping as if the universe were a mistake”, installation view, Fundació Joan Miró 2014

View of the "Robert Overby – Opere 1969-1987" exhibition at the GAMeC, Bergamo, 2014. Photo: Antonio Maniscalco. Courtesy GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo

View of the "Robert Overby – Opere exhibition at the GAMeC, Bergamo, Photo: Antonio Maniscalco. Courtesy GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo

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Andrea Mastrovito, “At the end of the line”, Gamec

Candice Breitz, Extra #1, 2011. Chromogenic Print, 56 x 84cm. Ed. 5 + 2 A.P. Commissioned by the Standard Bank Gallery. Courtesy Goodman Gallery and the Dakar Biennale

Candice Breitz, Extra Chromogenic Print, 56 x Ed. 5 + 2 A. Commissioned by the Standard Bank Gallery. Courtesy Goodman Gallery and the Dakar Biennale

Vista della mostra "Marco Petrus – Atlas" alla Triennale di Milano

The “Atlas” exhibition presents Marco Petrus’ latest urban visions in what is almost a journal intime of the Novecento movement and contemporary times, featuring both architectural details and large-scale compositions.

Yazmani Arboleda: We Believe in Balloons

Yazmani Arboleda: We Believe in Balloons

::vtol::, Solarman, Polytech museum, Moscow, 2014

Moscow media-artist Dmitry Morozov comes out with the interactive installation Solarman that converts the solar radiation into sound, light and electric discharges.

Dan Graham, Hedge Two-Way Mirror Walkabout , 2014, for The Roof Garden Commission: Dan Graham with Günther Vogt on The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden. Photo Hyla Skopitz, The Photograph Studio, Copyright The Metropolitan Museum of Art

Dan Graham, Hedge Two-Way Mirror Walkabout , 2014, for The Roof Garden Commission: Dan Graham with Günther Vogt on The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden. Photo Hyla Skopitz, The Photograph Studio, Copyright The Metropolitan Museum of Art

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