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Konstantin Vialov: Costume Design for Stenka Razin produced at the Theatre of Revolution, Moscow, 1924. Graphite pencil, Indian ink, quill, gouache, collage on paper. Bakhrushin State Central Theatre Museum, Moscow

Russian Avant-Garde Theatre: War, Revolution and Design, 1913 - 1933

Konstantin Vialov: Costume Design for Stenka Razin produced at the Theatre of Revolution, Moscow,

Günter Fruhtrunk paintings - Google Search

Günter Fruhtrunk paintings - Google Search

A Proun, c.1925. Commenting on Proun in 1921, Lissitzky stated, "We brought the canvas into circles . . . and while we turn, we raise ourselves into the space."[8]

El Lissitzky, A Proun, Commenting on Proun in Lissitzky stated, "We brought the canvas into circles . and while we turn, we raise ourselves into the space.

Gustav Klutsis, Postcard for the All Union Spartakiada Sporting Event, 1928

Gustav Klutsis, Postcard for the All Union Spartakiada Sporting Event, 1928 Gustav Klutsis

38

Meher Says: The 38 logo is such a good way to put these two numbers together. The negative space makes one while the other still fits in so well. (Who's this other meher?

Filippo Tommaso Marinetti – L’immaginazione senza fili, parole in libertà, 11 maggio 1913.

Filipo Tommaso Marinetti, Free words, between 1914 and 1916

Words as images

Words as images

I love a smart logo, but I also like simple logos. I think that these are examples of good logos that just used simple type treatments to achieve a great result. All simple and eye catching

Josef Hošek- Teorie modelů letadel , rok 1940.

Josef Hošek- Teorie modelů letadel , rok 1940.

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