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Lawson Oyekan, Coming Up for Air - Oyekan's large and ambitious sculptural forms have a raw, earthy character. Essentially abstract in nature, and assembled from pads of clay in a manner that suggests a very direct and intuitive handling of the material, his forms possess an essentially mysterious and indeed poetic quality. The forms embody certain humanistic characteristics, both through scale and proportion, as well as other attributes.

Coming Up for Air

Sculptural form, "Coming Up for Air" by Lawson Oyekan, Tommerup Stationsby, Museum Number

https://flic.kr/p/ar1ULv | Lawson Oyekan at 1 Canada Square

https://flic.kr/p/ar1ULv | Lawson Oyekan at 1 Canada Square

https://flic.kr/p/ar4xou | Lawson Oyekan at 1 Canada Square

https://flic.kr/p/ar4xou | Lawson Oyekan at 1 Canada Square

Lawson Oyekan

Bowl from the ‘Passage Pot’ series, Porcelain, unglazed, the body with multiple stabbed apertures

Art | アート | искусство | Arte | Kunst | Sculpture | 彫刻 | Skulptur | скульптура | Scultura | Escultura |  lawson oyekan

Art | アート | искусство | Arte | Kunst | Sculpture | 彫刻 | Skulptur | скульптура | Scultura | Escultura | lawson oyekan

ulla-hansen.htm

ulla-hansen.htm

Kunst Critique of Pure Reason: Lawson Oyekan - Trial with Light, Canary Wharf

Like many of the artists whose work is on display at Canary Wharf Lawson Oyekan can be said to be a truely international artist having been .

Louise Nevelson-Dream House XXXII, 1972

Louise Nevelson “Dream House XXXII” 1972 Nevelson gained recognition for her constructed and painted assemblage sculptures: wall reliefs made of wood boxes (often milk crates) filled with pieces of.

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