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Case (Inrô) with Design of Maple Tree and Stream In the style of Ogata Kôrin (Japanese, 1658–1716) Period: Edo period (1615–1868) Date: 18th–19th century Culture: Japan Medium: Gold lacquer with dark gray ishime, gold, red, black, and silver makie, pewter, and mother-of-pearl; Ojime: bead with autumn wild flowers; Netsuke: rat eating peach; boxwood

Case (Inrō) with Design of Maple Tree and Stream In the style of Ogata Kōrin (Japanese, Period: Edo period Date: century Culture: Japan

Case (Inrō) with Design of Maple Tree and Stream In the style of Ogata Kōrin (Japanese, 1658–1716)  Period:     Edo period (1615–1868) Date:     18th–19th century Culture:     Japan

Case (Inrō) with Design of Maple Tree and Stream In the style of Ogata Kōrin (Japanese, Period: Edo period Date: century Culture: Japan

Case (Inrô) with Design of Autumn Flowers  Shiomi Masanari  (Japanese, 1647–ca. 1722)  Period: Edo period (1615–1868) Date: early 18th century Culture: Japan Medium: Case: gold, silver, and blue lacquer on black lacquer; Fastener (ojime): pierced gold with floral design; Toggle (netsuke): crystal carved in the shape of a bucket

Case (Inrô) with Design of Autumn Flowers Shiomi Masanari (Japanese, Case: gold, silver, and blue lacquer on black lacquer; Fastener (ojime): pierced gold with floral design; Toggle (netsuke): crystal carved in the shape of a bucket

Inrō with Design of Blossoming Plum Tree, by Hara Yōyūsai (Japanese, 1772–1845), Artist: After a design by Sakai Hōitsu (Japanese, 1761–1828), Edo period (1615–1868) 19th century, Sprinkled gold lacquer with gold, silver, and red makie, takamakie, and coral inlay Ojime: bead; tortoiseshell Netsuke: box with decoration of violets; gold makie lacquer with gold and silver makie, H 9.3; W.5.7; D.2.2 cm ©The Metropolitan Museum of Art #Inro, #Urushi, #Laque, #Japon, #Lacquer, #Japan

Inrō with Design of Blossoming Plum Tree Hara Yōyūsai (Japanese, side

colección | El Museo Metropolitano de Arte

iamjapanese: “ Case (Inrô 印籠) with Design of Lute and Maple Leaves Period: Edo period century Culture: Japan Medium: Case: powdered gold (maki-e), colored and black lacquer, and gold leaf on lightly grooved wood;

Case (Inrô) with Design of Deer and Maple Trees (obverse); Mount Fuji (reverse)  Period: Edo period (1615–1868) Date: ca. 1820 Culture: Japan Medium: Case: lacquer with pottery plaques; Fastener (ojime): coral; Toggle (netsuke): red lacquer carved with design of Chinese figure and plant

Case (Inrō) with Design of Deer and Maple Trees (obverse); Mount Fuji (reverse) Period: Edo period Date: ca.

Case (Inrô) with Design of the Silk Winder and the Milky Way (The Tanabata Story of the Weaver and the Herdboy)  Kyûkoku   Period: Edo period (1615–1868) Date: 19th century Culture: Japan Medium: Mother-of-pearl with gold; Ojime: silver and gold quail in autumn grasses; Netsuke: carved ivory flowers and grasses with silver butterflies

Inrō with Tanabata Story of the Weaver and the Herdboy Nomura Kyūkoku (Japanese, active first half of the century) Period: Edo period Date: active first half of century

Inro and Netskue  Japan, 18th century  The Metropolitan Museum of Art

Inrô - a Gourd Vine by Koma Yasutada Period: Edo period this one century Japan of gold-colored lacquer, gold leaf, and gold foil on red lacquer; Fastener (ojime): metal with design of flowers and insects; Netsuke -ivory and lacquer carved Noh dancer

Inrô with Sparrows in Snow-covered Nandina  Hara Yôyûsai  (Japanese, 1772–1845)  Artist: After a design by Sakai Hôitsu (Japanese, 1761–1828) Period: Edo period (1615–1868) Date: early 19th century Culture: Japan Medium: Lacquer with gold and silver makie, coral, and applied stained ivory Ojime: bead with stylized medallions; green stone with gold makie lacquer Netsuke: round box with iris design

Inrô with Sparrows in Snow-covered Nandina Hara Yôyûsai (Japanese, Artist: After a design by Sakai Hôitsu (Japanese, Period: Edo period Date: early century Culture: Japan Medium: Lacquer with gold and silver makie

Shibata Zeshin, after a design by Ogata Kôrin: Inrô with design of sea foam (36.100.249) | Heilbrunn Timeline of Art History | The Metropoli...

Inrō with Stylized Waves - Shibata Zeshin (Japanese, After a design by Ogata Kōrin (Japanese, - Edo period century - Gold lacquer with pewter inlay; Ojime: bronze and gold jar;

Case (Inrō) with Design of Two Hawks on Tasseled Perches  Period:     Edo period (1615–1868) Date:     19th century Culture:     Japan Medium:     Lacquer, roiro, mura nashiji, gold and coloured hiramakie, takamakie; Interior: nashiji and fundame

Case (Inrō) with Design of Two Hawks on Tasseled Perches Period: Edo period Date: century Culture: Japan Medium: Lacquer, roiro, mura nashiji, gold and coloured hiramakie, takamakie; Interior: nashiji and fundame

Inrō with Grapevine Artist: Nomura Choheisai (Japanese, active second half of the 18th century) Period: Edo period (1615–1868) Date: second half of the 18th century Culture: Japan Medium: One case; lacquered wood with gold hiramaki-e, gold foil application with green stained ivory, mother-of-pearl, amber, and horn inlays on black lacquer ground Netsuke: ivory; kagamibuta with inlaid design of gourd and vine Ojime: ivory bead with inlaid design of branch with fruits

Inrō with Grapevine Artist: Nomura Choheisai (Japanese, active second half of the century) Period: Edo period

Collection | The Metropolitan Museum of Art

Inrô with Design of Cicada on Tree Trunk,Edo period Case: gold and metal on black lacquer with mother-of-pearl inlay; Toggle (netsuke): lacquer medallion with design of chrysanthemums and the Chinese character for longevity

A finely inlaid gold lacquer four-case inro The inro by Nakayama Komin (1808-1870), the kagamibuta netsuke by Shojo Ryomin, 19th century

A finely inlaid gold lacquer four-case inro The inro by Nakayama Komin the kagamibuta netsuke by Shojo Ryomin, century

A Four-Case Lacquer Inro**  Edo period (19th century), with signature Mitsutada  Designed in two colors of gold, red and silver takamaki-e and inlaid mother-of-pearl with summer and autumn flowers on a gyobu nashiji ground, the interior cases nashiji and hirame; fitted with a gold-lacquer bead ojime and a wood and ivory netsuke carved as a split walnut

A Four-Case Lacquer Inro** Edo period century), with signature Mitsutada…

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Inrō with Owl and Crows in Tree, Edo period century, Black lacquer ground with gold and silver togidashi maki-e and e-nashiji, cm ©The Metropolitan Museum of Art