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Attribué à Hannibal Caccavello (Naples, 1515 - Naples, 1570) Vierge de l'Apocalypse. Statue en marbre. H.: 118 cm. L.: 56 cm. P.: 30 cm. (petits accidents et manques visibles; au dos deux attaches métalliques… - Leclere - Maison de ventes - 06/11/2015

Attribué à Hannibal Caccavello (Naples, 1515 - Naples, 1570) Vierge de l'Apocalypse. Statue en marbre. H.: 118 cm. L.: 56 cm. P.: 30 cm. (petits accidents et manques visibles; au dos deux attaches métalliques… - Leclere - Maison de ventes - 06/11/2015

A South Netherlandish Painted Walnut Group of the Madonna and Child, First Quarter 16th Century, Malines

Virgin and Child (a South Netherlandish painted walnut group, first quarter Century, Malines)

Cleveland . Vierge et l'Enfant, c. 1510-1515 Sud des Pays-Bas, Malines, du 16ème siècle noyer peint et doré, sans base - h: 43,50 w: 15,90 cm (h: 17 1/8 w: 6 1/4 po). Don de Mme Charles E. Roseman dans la mémoire de Charles E. Roseman, Jr. 1953.144 Lieu:  Galerie 112

Virgin and Child, c. South Netherlands, Malines, century painted and gilded walnut, without base: x cm

Attribué à Martin HOFFMANN ? (cité à Bâle à partir de 1507 - Bâle, 1530 - 1531)  La Vierge à l'Enfant  vers 1510 (?)  Provenant de la commanderie des Antonins d'Issenheim (Haut-Rhin)  Tilleul  H. : 1,72 m. ; L. : 0,69 m. ; Pr. : 0,495 m.  Collection Georges Spetz à Issenheim ; acquisition, 1924  | Musée du Louvre | Paris

The Virgin and Child of Isenheim, attributed to Martin Hoffman; Mary stands on a crescent moon, a symbolic image of the Immaculate Conception, and of her victory over sin.

Virgin and Child of the Apocalypse Date: 1480–90 Culture: German Medium: Limewood The Metropolitan Museum of Art

The Met, Virgin and Child of the Apocalypse Culture:German Medium:Limewood Dimensions:H: cm) Classification:Sculpture-Wood Credit Line:The Cloisters Collection, 1976 Accession

Tilman Riemenschneider (c.1460-15310)  His woodcarvings are among the most beautiful ever created.

Madonna and Child, linden wood carving, Tilman Riemenschneider (German, c.

Entourage du Maître du retable de Rimini actif en Allemagne ou dans les Pays-Bas méridionaux vers 1430-1440  La Vierge de Pitié  Vers 1430 - 1440  Provenant de Venise Albâtre H. 0,95 m ; L. 0,83 m. ; Pr. 0,38 m.

Entourage du Maître du retable de Rimini actif en Allemagne ou dans les Pays-Bas méridionaux vers 1430-1440 La Vierge de Pitié Vers 1430 - 1440 Provenant de Venise Albâtre H. 0,95 m ; L. 0,83 m. ; Pr. 0,38 m.

Enthroned Virgin and Child. Date: ca. 1275–1300 Culture: French Medium: Ivory with original paint

Enthroned Virgin and Child, ca. – This monumental ivory carving is one of the largest to survive from the later Middle Ages. The tender depiction of the infant Jesus touching the chin of the Virgin as she plays with his foot is of Byzantine origin.

Impressive  Standing Virgin and Child, South Germany, 16th Century | From a unique collection of antique and modern sculptures at https://www.1stdibs.com/furniture/decorative-objects/sculptures/

View this item and discover similar figurative sculptures for sale at - Standing Virgin and Child, holding the child on her left in horizontal position. The Virgin holding in her free hand an apple, symbol of Christ's passion

Saint Catherine 15th–16th century Franconia German Limewood

Saint Catherine century Franconia German Limewood with paint and gilding Les Petits chemins

Pietà, German (Upper Rhine or Swabia), Medieval (Gothic), about 1375–90, Unidentified artist | Museum of Fine Arts, Boston

Pietà, German (Upper Rhine or Swabia), Medieval (Gothic), about 1375–90, Unidentified artist | Museum of Fine Arts, Boston

Jakob Kaschauer, Maria mit Kind vom Hochaltar des Domes zu Freisingn (1443, Bayerisches Nationalmuseum, München)

Jakob Kaschauer, Maria mit Kind vom Hochaltar des Domes zu Freisingn (1443, Bayerisches Nationalmuseum, München)

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