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نامه دارا به اسکندر، جواب نامه اسکندر بدارا ، برگ مصور از یک نسخه خطی از شرف نامه نظامی، شیراز، سده 16 ترسایی،33.5 در 21.2 سانتیمتر چو سر بسته شد نامه دلنواز رساننده را داد تا برد باز دبیر آمد و نامه را سر گشاد ز هر نکته صد گنج را درگشاد فرو خواند نامه ز سر تا به بن برآموده چون در سخن در سخن An illustrated and illuminated leaf from a manuscript of Khamsa's Nizami: Dara listening to Iskander's letter, Persia, Safavid, Shiraz, 16th century gouache heightened with gold, depicting the enthroned…

An illustrated and illuminated leaf from a manuscript of Khamsa's Nizami: Dara listening to Iskander's letter, Persia, Safavid, Shiraz, century

A woman having wine in solitude. A wall painting from Chehel Sotoun pavilion in Isfahan, Iran, 17th century

Holy and sacred image of a Persian woman drinking from the Elixir of the Soul (water poured forth from container), meaning is the Dreamer who dreams from the soul. Painting on the wall of Chehel Sotoun pavilion in Isfahan, Iran, century

India--- The Metropolitan Museum of Art - "Portrait of Rup Singh", Folio from the Shah Jahan Album

"Portrait of Rup Singh", Folio from the Shah Jahan Album Artist: Painting by Govardhan (active ca. Calligrapher: Sultan 'Ali al-Mashhadi (active late century) Object Name: Album leaf Date: verso: ca.

14/15th centuries, Egyptian astrological manuscript by an unknown Persian artist. Reproduced from the 9th century persian - 'Kitâb al-Mawalid' ['The Book of Nativities'].

King Tarish, ruler of all resident jinn. centuries, Egyptian astrological manuscript by an unknown Persian artist. Reproduced from the century persian 'Kitâb al-Mawalid' ('The Book of Nativities').

India, Shah Jahan Receives the Persian Ambassador, Muhammad 'Ali Beg,  folio from the Windsor Padshahnama, c. 1633

India, Shah Jahan Receives the Persian Ambassador, Muhammad 'Ali Beg, folio from the Windsor Padshahnama, c.

Mughal flower miniature. From the 17th century onwards, under the Mughal dynasty, flower and leaf forms became a popular art subject. This is partly due to the personal taste of the Mughal emperor Jahangir (1605-1627) who had a great love of nature and was very interested in capturing plants and animals on paper.

From the century onwards, under the Mughal dynasty, flower and leaf forms became a popular a

برگی از دیوان حافظ: اثر سلطان محمد، دوره صفوی، تبریز، در حدود 1531-33 میلادی. Allegory of Worldly and Otherworldly Drunkenness", Folio from the Divan of Hafiz Painting by Sultan Muhammad (active first half 16th century) Object Name: Folio from an illustrated manuscript Date: ca. 1531–33 Geography: Iran, Tabriz Culture: Iran Medium: Opaque watercolor, ink, and gold on paper Dimensions: Illuminated folio: Painting: H.21.6 cm

Allegory of Worldly and Otherworldly Drunkenness: Folio from the Divan (Collected Poems) of Hafiz, Safavid period ca. Sultan Muhammad (Iranian, active first half of century) Iran, Tabriz

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