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Elektro Mecanische Tatlin- Plastik, George Grose and John Heartfield Berlinische Galerie, Berlin

George Grosz /John Heartfield the Conformist Turned Wild Electro-mechanical Tatlin Sculpture, 1920 -

John Heartfield, Die Rationalisierung marschiert! [Rationalization is on the March!] Photomontage for Der Knüppel, no. 2, February 1927.

John Heartfield, Die Rationalisierung marschiert! [Rationalization is on the March!] Photomontage for Der Knüppel, no. 2, February 1927.

GEORGE GROSZ Y JOHN HEARTFILED- Forma electromecanica Tatlin-1920

GEORGE GROSZ Y JOHN HEARTFILED- Forma electromecanica Tatlin-1920

Johannes Baader, assemblage monumental "Deutschlands Grösse und Untergang" (Grandeur et déchéance de l'Allemagne) à la foire dada (1920).

Johannes Baader, Germany’s Greatness and Decadence, First Dada-Exhibition, Berlin 1920

George Grosz - The New Man 1921

George Grosz - The New Man 1921

Jeff Koons 2010-2012 Metallic Venus

Jeff Koons 2010-2012 Metallic Venus

Andre Breton and friends

Opening of the Max Ernst exhibition at the gallery Au Sans Pareil, May From left to right: René Hilsum, Benjamin Péret, Serge Charc.

william kentridge telegrams + Dada inspiration

william kentridge telegrams + Dada inspiration

Anita Thompson

Contemporary Art – Graphics

yay for dadaism dadaism jazz poster

Hannah Höch, Dada-Rundschau, 1919, Collage, gouache et aquarelle sur carton, Berlin, Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur.

Hannah Höch, Dada-Rundschau, 1919, Collage, gouache et aquarelle sur carton, Berlin, Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur.

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