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#missu. Każdy gdzieś w głębi duszy chcę być poetą. Projekt, do którego zainspirował film jednego ze znanych polskich vlogerów. Odcinek dotyczył poezji i o nurcie poezji wykreślanej z gazet i czasopism. Spróbowaliśmy zrozumieć i z tych przemyśleń narodził się ten projekt.  Buy/ Kup --> http://vendettakoszulki.shoplo.com/kategoria/koszulki/missu

#missu. Każdy gdzieś w głębi duszy chcę być poetą. Projekt, do którego zainspirował film jednego ze znanych polskich vlogerów. Odcinek dotyczył poezji i o nurcie poezji wykreślanej z gazet i czasopism. Spróbowaliśmy zrozumieć i z tych przemyśleń narodził się ten projekt. Buy/ Kup --> http://vendettakoszulki.shoplo.com/kategoria/koszulki/missu

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Breakfast Club (1984) -- Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong...

The Breakfast Club (1985)

Breakfast Club (1984) -- Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong...

Here we have the first appearance of arguably the most beautiful poster ever designed, by German graphic artist Heinz Schulz-Neudamm. This is the domestic German three-sheet for Fritz Lang's silent masterpiece Metropolis from 1927, which sold for $357,750 in 2000 Photograph: Moviestore Collection / Rex Feat    www.guardian.co.uk/film/gallery/2012/mar/14/10-most-expensive-film-posters-in-pictures?CMP=SOCNETIMG8759I

The 10 most expensive film posters – in pictures

Here we have the first appearance of arguably the most beautiful poster ever designed, by German graphic artist Heinz Schulz-Neudamm. This is the domestic German three-sheet for Fritz Lang's silent masterpiece Metropolis from 1927, which sold for $357,750 in 2000 Photograph: Moviestore Collection / Rex Feat www.guardian.co.uk/film/gallery/2012/mar/14/10-most-expensive-film-posters-in-pictures?CMP=SOCNETIMG8759I

Vintage-Style James Bond Poster Series

Vintage-Style James Bond Posters by Alain Bossuyt

"He's fleetingly obsessive," says drummer George Daniel of Healy. "He'll turn up with a video camera and projector: 'Look, I'm making a film.' 'Yeah, all right.' Two weeks later, he's lost the camera charger and he's forgotten about it. That's what makes him great when he's focusing on his work. He's either all the way on or all the way off."

"He's fleetingly obsessive," says drummer George Daniel of Healy. "He'll turn up with a video camera and projector: 'Look, I'm making a film.' 'Yeah, all right.' Two weeks later, he's lost the camera charger and he's forgotten about it. That's what makes him great when he's focusing on his work. He's either all the way on or all the way off."

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