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[ beauty in decay ]

I see the grafitti, but when I look at the building I don't see the grafitti, I see a sad lonely building, hopeful someone will return.

June 1954, New York, NY. March 1954. New York, NY. Photo by Vivian Maier, courtesy the Maloof Collection/Howard Greenberg Galleries

From glamorous to ordinary, Vivian Maier’s street photography captured America's mid-century urban life

June New York, NY. March New York, NY. Photo by Vivian Maier, courtesy the Maloof Collection/Howard Greenberg Galleries

Google Image Result for http://static.guim.co.uk/sys-images/Observer/Pix/pictures/2010/4/16/1271448095085/streetmatt-007.jpg

Why street photography is facing a moment of truth

This is a great image because of the contrast between the dangling phone and the blurred people in the background.

Top 10 Most Amazing Black and White Photos Part 2

Philadelphia 471 by Michael Penn Street Photography - This is a great image because of the contrast between the dangling phone and the blurred people in the background. It seems ironic that the phone is still and not swinging while the rest of the image i

shirley baker. This pic should be sweet but I find the look on his face very unsettling.

Who needs a Playstation? Pictures of an age when happiness was a stick of chalk and a pair of mum's big shoes...

Man in the Fog, Oxford, England, the Overall Youth winner in the Take a View Landscape Photographer of the Year award, so atmospheric

Britain's landscapes as you've never seen them before: Winners of the Landscape Photographer of the Year are revealed

Man in the Fog, Oxford, England, by Stephen Colbrook - the Overall Youth winner in the Take a View Landscape Photographer of the Year award 2012

Life is a blur: Using techniques ahead of his time such as a slow shutter speeds, the photographer bestowed new depth on scenes like this one in 1960 at Victoria station

Iconic images of London in 1950s and 60s by street photographer

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