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PUAM - Asian Art Collection

PUAM - Asian Art Collection

Red Knotweed and White Geese

Red Knotweed and White Geese

Streams and Mountains Without End | Cleveland Museum of Art

Streams and Mountains Without End | Cleveland Museum of Art

宋, 崔白。 崔白的风格是兼收并蓄,多有创造。崔白因出身低微,早期作为民间画工,迫于生活的压力,以艺谋生,练就了他善于写生,画作多有新意。在作品风格上能吸 收“黄派”之长,富丽精工,又借徐派的意趣,迎合了士大夫阶层甚至皇帝的审美趣味,受到了他们的高度评价。崔白等人的出现改变了画院的“黄氏体制”,与其 说是崔白带来的“变格”不如说是院体花鸟画自身发展的结果和社会的普遍的审美趣味的变化使然。

宋, 崔白。 崔白的风格是兼收并蓄,多有创造。崔白因出身低微,早期作为民间画工,迫于生活的压力,以艺谋生,练就了他善于写生,画作多有新意。在作品风格上能吸 收“黄派”之长,富丽精工,又借徐派的意趣,迎合了士大夫阶层甚至皇帝的审美趣味,受到了他们的高度评价。崔白等人的出现改变了画院的“黄氏体制”,与其 说是崔白带来的“变格”不如说是院体花鸟画自身发展的结果和社会的普遍的审美趣味的变化使然。

The Pleasure of Fishes, Yuan dynasty (1271–1368), dated 1291  Zhou Dongqing (Chinese, active late 13th century)  Handscroll; ink and color on paper

The Pleasure of Fishes, Yuan dynasty (1271–1368), dated 1291 Zhou Dongqing (Chinese, active late 13th century) Handscroll; ink and color on paper

Autumn Colors on the Ch'iao and Hua Mountains

Autumn Colors on the Ch'iao and Hua Mountains

A roughly shaped sketch by Filippino Lippi (c.1457-1504) in the British Museum is drawn with his characteristic nervous and rhythmic graphic style, with the pen darting about the paper at speed. Although the motifs in the British Museum drawing appear to have been invented and not copied, Lippi captures the very essence of grotesque design.

A roughly shaped sketch by Filippino Lippi (c.1457-1504) in the British Museum is drawn with his characteristic nervous and rhythmic graphic style, with the pen darting about the paper at speed. Although the motifs in the British Museum drawing appear to have been invented and not copied, Lippi captures the very essence of grotesque design.

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Frontispiece for the Lotus Sutra | Cleveland Museum of Art

Frontispiece for the Lotus Sutra | Cleveland Museum of Art

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