Laura Oldfield Ford - an interesting approach to the representation of bleak inner cities.

There Are Non-Times As Well As Non-Places: Reflections On Hauntology — A post by Mark Fisher “Through their generic and transient qualities – workstations devoid of personal effects, relations with.

Laura Oldfield Ford

Aylesbury Burgess Park, Acrylic and ball point pen on watercolour paper

simon ling artist - Pesquisa Google

Untitled, oil on canvas, 120 × 92 cm. All images courtesy the artist and greengrassi, London

Simon Ling Untitled 2012

Simon Ling, 'Untitled', I saw Simon Ling's paintings at Tate's 'Painting Now' exhibition. Like Kossoff, he makes paintings of places in London. Also, his work seems very textural.

Simon Ling, 'Untitled'

Why painting still matters

In an era of installations and performance in which 'anything' can be art, a new Tate exhibition focuses on the work of five contemporary painters. They explain why paint still matters. Interviews by Nicholas Wroe and Simon Grant

Patricia Cain and Alan Dunlop on architectural draughtsmanship, painting and the city | The Critics | Architects Journal

Alan Dunlop quizzes artist Patricia Cain on her creative motivation, technique and prize-winning work portraying Zaha Hadid’s Glasgow Riverside Museum

Patricia Cain's drawings and writing have greatly influenced my work. Here's her pastel called Knowing Through Making: Construction Drawings

Patricia Cain's drawings and writing have greatly influenced my work. Here's her pastel called Knowing Through Making: Construction Drawings

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