Graham Sutherland

Collection by Ruth Sills

Pins

Graham Sutherland Entrance to a Lane 1939 Tate collection. Abstract Landscape, Landscape Paintings, Abstract Art, Landscapes, Abstract Trees, Abstract Images, English Artists, British Artists, Art Uk

Abstract Landscape Landscape Paintings Abstract Art Landscapes Abstract Trees Abstract Images English Artists British Artists Art Uk

‘Entrance to a Lane’, Graham Sutherland OM, 1939 | Tate

Artwork page for ‘Entrance to a Lane’, Graham Sutherland OM, 1939 Though apparently abstract, the subject of this painting is a lane in Pembrokeshire, south-west Wales. Sutherland visited the area regularly between 1934 and 1946. By presenting what he observed in simplified forms, Sutherland felt he captured the ‘intellectual and emotional’ essence of the landscape. He was attracted to the contrasting qualities of the setting, which he described as ‘darkness and light - of decay and life’…

'Clegyr Boia' by British artist Graham Sutherland OM Etching & aquatint on paper, 124 x 188 mm. via the Tate Intaglio Printmaking, Collagraph, English Artists, Landscape Drawings, Art Graphique, Print Artist, Gravure, Sculpture, Art History

Intaglio Printmaking Collagraph English Artists Landscape Drawings Art Graphique Print Artist Gravure Sculpture Art History

‘Clegyr Boia’, Graham Sutherland OM, 1938 | Tate

Artwork page for ‘Clegyr Boia’, Graham Sutherland OM, 1938 This print is shows Clegyr Boia, the rocky outcrop west of St David's, Pembrokeshire, Wales. Sutherland visited the area each summer from 1934 to 1939. His pensive and atmospheric Welsh landscapes came to be seen as premonitions of war, expressive of the prevailing mood of anxiety and menace. Many critics identified him as a descendant of Blake; Graham Bell, for example, wrote: Sutherland is the phoenix Blake, the burning mystic…