Brick Country House, by Ludwig Mies Van Der Rohe (1925 Project). A very influential early example of spatial division using walls as planar elements.

Brick Country House, by Ludwig Mies Van Der Rohe (1925 Project). A very influential early example of spatial division using walls as planar elements.

Otaku Gangsta #2 ✤ || CHARACTER DESIGN REFERENCES | キャラクターデザイン |  • Find more at https://www.facebook.com/CharacterDesignReferences & http://www.pinterest.com/characterdesigh and learn how to draw: concept art, bandes dessinées, dessin animé, çizgi film #animation #banda #desenhada #toons #manga #BD #historieta #strip #settei #fumetti #anime #cartoni #animati #comics #cartoon from the art of Disney, Pixar, Studio Ghibli and more || ✤

Otaku Gangsta #2 ✤ || CHARACTER DESIGN REFERENCES | キャラクターデザイン | • Find more at https://www.facebook.com/CharacterDesignReferences & http://www.pinterest.com/characterdesigh and learn how to draw: concept art, bandes dessinées, dessin animé, çizgi film #animation #banda #desenhada #toons #manga #BD #historieta #strip #settei #fumetti #anime #cartoni #animati #comics #cartoon from the art of Disney, Pixar, Studio Ghibli and more || ✤

Creating Civilizations, by Robert Strati – SOCKS

Creating Civilizations, by Robert Strati

“I want to see the traces, stains and dirt of my work, the layering of erased lines, errors and failures, the repeated re-tracings on the drawings, and the collage of corrections, additions and eliminations on the page that i am writing….These traces help me feel the continuity and purposefulness of the work, to dwell in the work, and to grasp the multiplicity, the plasticity as it were, of the task. ”    Juhani Pallasmaa (The Thinking Hand)Click to Close

“I want to see the traces, stains and dirt of my work, the layering of erased lines, errors and failures, the repeated re-tracings on the drawings, and the collage of corrections, additions and eliminations on the page that i am writing….These traces help me feel the continuity and purposefulness of the work, to dwell in the work, and to grasp the multiplicity, the plasticity as it were, of the task. ” Juhani Pallasmaa (The Thinking Hand)Click to Close

이미지 출처 http://www.iaacblog.com/maa2013-2014-advanced-architecture-concepts/files/2013/11/deep-surface_diagram_explode.jpg

이미지 출처 http://www.iaacblog.com/maa2013-2014-advanced-architecture-concepts/files/2013/11/deep-surface_diagram_explode.jpg

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