The amount of texture the designer was able to achieve in this image is amazing. You can almost feel the rigged letter form just by looking at the image.

The amount of texture the designer was able to achieve in this image is amazing. You can almost feel the rigged letter form just by looking at the image.

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Poster for the 1923 Bauhaus Exhibition in Weimar designed by Joost Schmidt. #FontSunday @DesignMuseum

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Poster for the 1923 Bauhaus Exhibition in Weimar designed by Joost Schmidt. #FontSunday @DesignMuseum

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Poster Art 150: London Underground's Greatest Designs

Alchemy Interactive -Award winning responsive web design agencyLondonstrives to offereffectivedigital website design& development,SEO, PPCweb marketing solutions.


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Bayer, Herbert -- The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime.

Bayer, Herbert -- The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime.

Bauhaus Exhibition poster, 1923

Arte Popular – La escalera de la Bauhaus, la maravillosa tierra de nadie

Herbert Bayer (1900-1985). Dirige l'imprimerie du Bauhaus de Dessau, celle-ci est liée à la réclame. La logique du texte à imprimer impose la mise en pages. L'aspect pratique l'emporte sur le côté esthétique. Bayer a une expérience pro du graphisme publicitaire, de l'efficacité visuelle, il préconise une typographie élémentaire à la manière des constructivistes.

Herbert Bayer (1900-1985). Dirige l'imprimerie du Bauhaus de Dessau, celle-ci est liée à la réclame. La logique du texte à imprimer impose la mise en pages. L'aspect pratique l'emporte sur le côté esthétique. Bayer a une expérience pro du graphisme publicitaire, de l'efficacité visuelle, il préconise une typographie élémentaire à la manière des constructivistes.

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