The built environment
Loner by AnDary lighthouse abandoned building ocean sea landscape location environment architecture
Photographer: Alex Plotnikov Makeup: Daria HolodnyhModel: Santa Courts Amazing contouring and highlighting.
collage and mono print the different texture and colour background Picking key colours from landscape for collage background
Ian Murphy Drawings Graphite, mixed media & Oil on paper x
Ian Murphy Drawings Graphite, mixed media & Oil on paper x
Extracts of Local Distance is an innovative architectural collage project by Frederic Gmeiner, Torsten Posselt, and Benjamin Maus.
Carfax Tower, Oxford by Park Sunga
London thirty-two ~ Paul Kenton
Outbuildings - This graphite and charcoal drawing is quite interesting. It has some fine details in it and as well as textures which can only be created through the roughness and softer hatchings and the obvious light and dark.
Jon Measures is an English artist based in Los Angeles making art in and about the city of Angels.
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Ian Murphy - Architectural Studies in Sketchbook I like the use of ink and drawing to create this piece and the annotations next to it
architectural cornice detail rendered using charcoal, shows detail and light qualities.
Ian Murphy depicts derelict buildings and often paints/draws on printed material which bleeds through. I like how Ian Murphy used pastel, contrasting colours to make his work eye-catching and unique.
the staircase-Ian Murphy
Ian Murphy drawings - Venetian Scroll in Graphite, Mixed media, Oil Paint Code: Oil paint, mixed media & Graphite on paper x
Ian Murphy Very textured work using ink. Lots of smudging. He uses text to create texture which has some sort of meaning to the image.
Ian Murphy Venice window drawing Sometimes focuses around one part of a building where more detail can be incorporated
Valery Koshlyakov’s large-scale cardboard paintings, collages and installations – sometimes hanging from the ceiling, sometimes made out of sticky ta
WHO: Ian Murphy WHAT: Venetian Canal WHY: I like the use of mark making to add depth to the drawing. I also like the way the piece guides your eye into the vanishing point becasue of the leading lines.
Valery Koshlyakov High-rise on Raushskaya Embankment 2006 Tempera on cardboard 285 x 280 cm