Art is more than Technique and Design
Studying the light through the trees in Working in a Series ©2011 Lena Ohlen Ink on Canvas Technique and Design As I’m developing the content for my new online workshop Abstraction I am continually asking myself what I want my […]
In the Art Room: Leaf Relief
A lovely leaf relief with a dotted background by one of my former students. Hey guys! This post has been very popular...if you are interested in other leaf related projects, be sure to look at this Leaf Printing post and my Leaf Press Project. Thanks! While second grade was completing that project, I was working with my third graders on these Leaf Reliefs. It's a very spring/summer kind of project, so I thought I'd share it with you. A close up of one of the 3" X 4" reliefs. I love that this…
‘22. St Matthias, Stoke Newington, London: by William Butterfield’, John Piper, 1964 | Tate
Artwork page for ‘22. St Matthias, Stoke Newington, London: by William Butterfield’, John Piper, 1964
Sue Lowe 'Sea Strands' Collagraph print with chine colle. Inspired by the layers and causeways of our beautiful West Somerset coast.
Modern Hepburn
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veronicagrow
This week marked the last folio prep class that I will run for RMIT and I can say that I am very happy to be making this departure. It feels good to be cutting the cord independent of an institution...
Magic Transistor
Max Ernst. Cypresses. 1939.
ernst, max la terre à tr ||| abstract
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Afro-Italian with Ties by Michael Lucero
Detail of artwork by Eva Isaksen
Techniques surréalistes de création : dessin automatique, collage, frottage, grattage, fumage, décalcomanie et cadavre esquis
Les surréalistes ont inventé ou utilisé un certain nombre de techniques artistiques. J’ai déjà parlé du jeu du cadavre exquis . En voici quelques autres Le dessin automatique (automatic drawing) …
Beyond the Brush: Inventive Use of Media for Painting Students (Part 3)
Need ideas for applying mediums creatively in your painting project or new mixed media art techniques? A guide for students, artists or teachers.