Colour is of huge important in movies, whether its the set, costume, lens or colour grading added in post-production, and it’s been shown off perfectly in a series of images created by a program that take the average colour of each frame and plots them next to each other. Seven have so far been created by Dillon Baker, showing the oceanic blues of Finding Nemo, the dusty pink of Wes Anderson’s Grand Budapest Hotel and the vivid reds, purples and blues of Disney animation Aladdin.